April 16th, 2013, 21:43
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April 16th, 2013, 21:52
And here is the video:
April 17th, 2013, 17:08
tseligas when you get caught up you can put it down in notes (do,re mi) so that we can purchase it. when you get caught up .now we have a lot material to work off of .
April 17th, 2013, 17:10
to all members . listen what a difference the amplication , echo ,reverb, equalizer, etc ,has on the instument ,but if you listen closely it is the same notes that tseligas show and played in the video ,,
April 17th, 2013, 20:30
to all clarinet players ,and add to it tseligas , all songs that are kambisia ,are played in the scale of SI with a b flat clarinet thats where you get that distint sound and trills from , try playing ta niata duo fores from scale of SI it wont sound right to get the right effect you have to use a scale of RE ,thats why when you went to transpose kinigos from a different scale it did not sound right because you could not get the trills to sound the way you would like . and also to play from the scale of SI will require some work but it is a good scale and it sounds nice once you break youre fingers in .
April 17th, 2013, 20:39
Yes, I was actually surprised how ....off it sounded...
It is good to have some sharps in for practice.
I am playing at a band right now and the singer sings really low (from mi in the piano) so I am relearning ipirotika from fa#.
They sound good but I got 3 sharps in the pentatonic
fa# sol# la si do# mi
It is good to have some sharps in for practice.
I am playing at a band right now and the singer sings really low (from mi in the piano) so I am relearning ipirotika from fa#.
They sound good but I got 3 sharps in the pentatonic
fa# sol# la si do# mi
April 18th, 2013, 08:35
are you useing a si b mol clarino ,if you had a la or sol klarino would you eleminate the sharps ??
April 18th, 2013, 10:42
Yes, see the Gianni mou to madili Video and stis Pargas. There are no sharps at all.
With the Bb now I start with fa# and the scale is fa# sol# la si do# mi
if I use a LA the scale would go half a note up (To keep the same tone) and would become : sol la sib do re fa
(which is more managable but a bit tricky cause of the sib)
If I had a Sol the scale would need to go another note up (to keep the same tone ) : --> la si do re mi sol
Which is obviously perfect for us!! That's the scale that I use for the epirotica in the videos.
With the Bb now I start with fa# and the scale is fa# sol# la si do# mi
if I use a LA the scale would go half a note up (To keep the same tone) and would become : sol la sib do re fa
(which is more managable but a bit tricky cause of the sib)
If I had a Sol the scale would need to go another note up (to keep the same tone ) : --> la si do re mi sol
Which is obviously perfect for us!! That's the scale that I use for the epirotica in the videos.
April 19th, 2013, 17:31
i once tried to play a sol klarino ,very uncomfortable,had to spread my fingers to cover the holes , even a la is not to bad , but if you want to stand out play from as many scales as you can with the b flat .
April 23rd, 2013, 19:56
Hey Chitown! How are you doing with Kinigo??
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